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Editorial

PERSPECTIVES
· Andreja Kopač LeSlovaks:  Les SlovaKs: “The Body is the Most Intelligent Thing” An Interview Within the Collective Without a Leader
· Samo Gosarič: Monsters and Peaches

PHENOMEON
· Katja Praznik: Does Production Dance Alone?
· Katja Praznik:  Production Over the Abyss of Cultural Politics. A Conversation with Producers in the Independent Sector
· Katja Praznik: The Case of Plesna izba Maribor
· Karla Železnik: Are the Skies Over the Cultural Map Going to Clear Up? An Interview with Uroš Korenčan

THE STATE OF AFFAIRS
· Alenka Pirman: Costumes And Traditions II.
· Marko Peljhan: Monadology

MANIFESTO SKETCHBOOK
· Dejan Spasić:  “Guerrilla” or Slovene Theatre Without Gods
· Andrej Jaklič: Jumping Into It

SCENERAMA
· Alja Bulič:  Moving Cake – A Practical Example of the Sate of Slovene Contemporary Dance
· Mojca Puncer:  From Poetics to the Politics of Body Images in the Theatre: Rodin II
· Saša Nabergoj: U3 and The State of Things

SMALL CHANGE OF ART
· Alja Bulič: The Politics of Modern Dance. Mark Franko Dancing Modernism/Performing Politics
· Ana Perne: Theatricality of the Everyday. Janelle Reinelt Public Performance: Essays on the Theatre of Our Time
· Urška Jurman: Self-historicization as Attempt at Dismantling or Inclusion? IRWIN East Art Map. Contemporary Art and Eastern Europe