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Emil Hrvatin: INTRODUCTION
THE THOUGHT OF DANCE
Paul Valéry: PHILOSOPHY OF DANCE
Alain Badiou: DANCE AS A METAPHOR FORTHOUGH
Jelica Šumić – Riha: THE DANCING BODY BETWEEN THOUGHT AND PLEASURE
BODY OF DANCE
Bojana Kunst: AUTONOMOUS BODY
Randy Martin: DOES THE DANCING BODY HAVE A SEX?
MODERN/POSTMODERNOF DANCE
John Martin: THE CHARACTERISTICS OF MODERN DANCE
Roger Copland: MERCE CUNNINGHAM AND THE POLITICS OF PERCEPTION
Sally Banes: POSTMODERN DANCE
EMANCIPATION OF DANCE
Norbert Servos: PINA BAUSCH: DANCE AND EMANCIPATION
Yvonne Rainer: QUASI-SURVEY OF SOME ‘MINIMALIST’ TENDENCIES IN QUANTITAVELY MINIMAL DANCE ACTIVITY AMIDST THE PLETHORS, OR THE ANALYSIS OF TRIO A
Trisha Brown: AUTOBIOGRAPHICAL SKETCH
THE SOCIAL OF THE DANCE
Cynthia J. Novack: ON MOVEMENT AS CULTURE – CONTACT IMPROVISATION AND DISCO DANCE
SPACE OF DANCE
Heidi Gilpin: DEFLECTIONS OF GRAVIRY
Gerald Siegmund: IMAGE AND MOVEMENT – MANNIERISM AS THE LIMIT OF CONTEMPORARY DANCE
NOTATION/ MEMORY OF DANCE
André Lepecki: PRESENCE OVERBURDENED WITH MADNESS
Johannes Birringer: MEMORIES OF THE REAL
Patrice Pavis: ABOUT BUTOH AS GRAND GUIGNOL, WHICH ENDED BADLY
ABOUT THE AUTHORS
BIBLIOGRAPHY